Source: The Vibe 101 Gets A Logo!
Source: The Vibe 101 Gets A Logo!
Have a little faith, this post is not focused on any religion. Instead, the post is a visual tour of some of Melbourne’s most architecturally acclaimed churches. Praised for their majestic design, these houses of worship will enlighten you with their grandness and history.
St Patrick’s Cathedral
Designed by William Wilkinson Wardell, St Patrick’s Cathedral is a prime example of Gothic-Revival design. Located on the edge of the city grid, the structure is laid out in the style of a Latin cross, incorporating a nave with side aisles, transepts flanked by side aisles, a sanctuary including seven chapels positioned in a chevet around it, and sacristies.
A cross six metres in height sits atop of the main spire. The pinnacles of the Cathedral tower upwards, representing heaven above, while the gargoyles perched around the church are trademark features befitting the Gothic aesthetic.
St Paul’s Cathedral
St Paul’s Cathedral represents the signature style of ne0-Gothic transitional architecture. Designed by William Butterfield, the cathedral consists of three giant spires, with the…
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Like most cosmopolitan cities around the world, Melbourne is characterised for its concrete jungles, dominated by modern skyscrapers with shimmery glass facades. But scattered amongst these contemporary structures are buildings noted for their classic architecture.
The very fabric of Melbourne consists of heritage listed buildings, recognised for their historical, cultural and architectural significance. This post is a visual exploration of some of Melbourne’s most iconic landmarks including the Royal Exhibition Building, Parliament House, the State Library of Victoria, the Supreme Court of Victoria, the Old Treasury Building, and the Melbourne Town Hall. Each of these structures have a common thread, the very essence of their construction is linked to their traditional charm and majestic designs.
The majority of these landmarks (such as Parliament House, the State Library, Supreme Court and Old Treasury Building) were constructed during the Victorian era, a period that saw a renewed focus towards classical renaissance architecture. The classical aesthetic is characterised for central pediments, a Corinthian style portico, Ionic columns and grand archways.
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Frank Gehry is a trailblazer in contemporary design, often considered as one of the most highly acclaimed architects of the 20th century. An iconic genius in post-modern architecture, Gehry thrives in pushing the boundaries with his complex, avant garde concepts. Gehry’s bold structures rebels against the status quo, shifting away from the paradigm that ‘form follows function’.
As a proponent of the deconstructivsm movement, Gehry’s projects are defined for their striking profiles, mixed with undulating layers of elements, resulting in structural facades that are both complex and bold. His style of producing abstract constructions are combined with his use of malleable metal finishes juxtaposed against more traditional building components like concrete or bricks.
Gehry portfolio of projects are characterised for their use of unconventional materials, incorporating structural elements manipulated to produce rippled forms and irregular shapes. Although Gehry’s creative vision was inspired by the DeCon architectural style, the silhouettes of his spectrum of famous landmarks mixes a new age revival of cubism and futuristic aesthetics.
Below are a snapshot…
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Over the course, we presented projects which pushed us to express our creativity in a tactile form, bringing concepts to life through layers of fabric, contrasting patterns, colours, materials, accessories, and integrating various elements of negative and positive space, silhouettes and contours. The combination of which aimed to connect with the heart and soul of its intended client. Each concept was backed by a narrative, a source of inspiration, turning a creative vision into reality.
The course challenged my mind. I was forced to think outside the square, to view the world at different angles, to see life through different perspectives. Each project we undertook was designed to engage individuals to see a deeper meaning behind colours, texture, contrast, lines, dots and shapes.
There were many occasions I wanted to quit. I dug deep and I worked my arse off. Slowly, I adjusted to the routine of university life, of lectures, tutorials, homework and assignments. I immersed myself in the world of Frank Lloyd Wright, Frank Gehry, Zaha Hadid, Le Corbusier, Mies Van Der Rohe. I took a trip down the rabbit hole to discover the history behind styles ranging from Art Deco, Gothic, Renaissance, Art Nouveau, Baroque, Victorian, Edwardian, Queen Anne, Arts & Craft movement, Rococo, Neo Classic, Scandinavian genres. I learned that 5 Seconds of Summer was not a new-age, hipster term for a ‘quickie’ horizontal rhumba session. More importantly, world issues centred on Justin Bieber or One Direction according to the tween generation (One who??).
Yep, art and design is not black and white – there’s 50 shades of grey and a rainbow of other hues in between. Even today’s learning environment is a whole new world. Back in the late 90s when I was a pimply faced teenager attending Monash University, e-mail was still in its infancy and Facebook wasn’t even a blip on the radar! We’re talkin’ the days of dial-up, when you stared at the modem as it whirred to connect to the internet. Now I’m faced with terms such as Instagram, Pinterest, Tumbler and blogs. Floppy disks have been replaced by USB sticks and who needs a library of books when Google is at your fingertips?
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However old habits die hard. Despite my age and wisdom, some things just never change. The student lifestyle of two-minute noodles for dinner, leaving assignments to the last minute, staying up till 3am preparing for exams and losing work because your PC crashed – is still a trap for an old goose like myself!
After two years of highs and lows, the course culminated in a class exhibition attended by family, friends, teachers and noted designers and architects within industry. Achieving your dreams was never going to be easy – No guts, no glory. Fortunately the hard work paid off. There were definitely several tantrums, a few meltdowns and a number of sooki la la moments. But I survived. I even surprised myself with the results. I started from scratch with no artistic background, just a pipe dream from my childhood. But you’re never too old to learn something new.
I feel the need, the need for speed! I was revvin’ up the engine, shovin’ into overdrive1, as we headed towards AvalonAirport for the 2013 Australian International Airshow – which was held from March 1-3. Staged every two years, the public and trade event showcases vintage, commercial as well as military aircraft and is topped off by a thrilling, action-packed aerial display show.
I don’t know anyone who hasn’t seen the blockbuster movie Top Gun starring Tom Cruise. If you haven’t watched this sensational film, get with the program! It’s almost every girl’s dream to be swept off their feet by Maverick, Goose or IceMan. Can you imagine standing at a bar and being serenaded by a squadron of handsome guys in uniform to the tune of “You’ve Lost That Lovin’ Feeling”? Just picture it…..‘You never close your eyes anymore when I kiss your lips2’ – somebody wake me up!
My fascination for high powered jets began long before I saw Top Gun. My father’s passion for planes had a huge influence on my own interest in aircraft. An early childhood wish of mine was to become a flight attendant. Sadly I developed a habit of throwing up soon after take off during my youth (Please note, by my early twenties, I discovered alcohol took the edge off my nausea – now who’d have thunk that!). When I was little, I couldn’t wait to see the world, but it was the idea of riding on an aeroplane that made the dream of travelling all the more exhilarating.
I’ve lost count of how many times I’ve attended Australia’s only airshow but it never ceases to amaze me. Held at AvalonAirport, it’s roughly a 45 minute (or 56.5km) drive south-east of Melbourne. However, due to the overwhelming crowds, it takes an additional hour just to enter the parking grounds. The bumper to bumper traffic from the highway leading into the car park can test one’s patience. But it’s worth it, especially when you’re greeted with several fly-bys from an F18-F Super Hornet.
After buying our tickets, we headed straight towards the ground display which featured an amazing exhibition of commercial, historic, recreational and civilian aircraft. But the highlight has always been the impressive collection of military jets predominantly from the Royal Australian Air Force (RAAF), the Royal Australian Navy (RAN) and the United States Air Force (USAF). The ‘sexier warriors’, such as the F-16, F-22 Raptor and F-18 Hornets, were strategically positioned around the tarmac, separated away from heavy aircraft and vintage planes.
This is the best opportunity for the public to get up close with these combat jets, or majestic ‘eagles’. To see the magnitude of their size – from the breadth of their wingspan, the enormity of their engines, to the height of their landing gear and their overall construction – is a real eye-opener. One of the best parts was witnessing the C-17 Globemaster being taxied off to the runway, having its wingspan hovering above me as it made its way off the tarmac prior to a spectacular aerial display.
There was also had the chance to meet and greet pilots and crews to get a further insight into the basic facts behind a select number of aircrafts. The public were permitted to climb on board a small number of planes. This was ideal for the more avid fans who were more than willing to line up in the queue which snaked around the exhibits.
In addition to the static ground display, there were other activities to keep young and old entertained. In the Kids Zone, children could get their face painted or temporary tattoos applied, create paper planes and construct 3D puzzles of jets or helicopters. There were a variety of amusement activities available including a rock climbing wall, ‘bungee’ trampolines and the Avalon express train that followed the main walkway circling the airshow grounds. Lastly, although not my cup of tea, there was also the Arena Action area that featured extreme monster trucks and motocross stunt show.
But the culmination of the day was the jaw-dropping aerial display high above. I found myself torn between wanting to watch the spectacular aerial manoeuvres versus my mission to visit and take photos of all the aircraft on exhibit. As I worked my way around the tarmac, I was often stopped in my tracks by the death defying stunts performed by specialty acts including the Breitling Wingwalkers who carried out acrobatic formations while perched on the wings of a vintage Boeing Stearman biplane. Witnessing combat jets such as an F-16, F-22 Raptor and F-18 Hornets zoom by at a jaw-dropping velocity, followed by the echoing roar of their engines several seconds later simply takes your breath away. The finale was the flying formation of four F-18 Super Hornets followed by a simulated airfield ground attack that certainly got the adrenalin pumping amongst the multitude of people who viewed the show along the runway.
On our drive home, I couldn’t shake Kenny Loggins’ dulcet tones out of my head, along with the classic 80s electric guitar riffs, keyboard synthesizers and drum beats …..
Revvin’ up your engine
Listen to her howlin’ roar
Metal under tension
Begging you to touch and go
Highway to the danger zone
Ride into the danger zone
If you’re a devout follower of fashion, there are three key trends being preached by designers and stylists alike this season: Colour Blocking, Peplums and Ruching – these are the hottest looks currently rocking the red carpet and fashion runways, and some of Hollywood’s most glamorous, fashion forward celebrities are a testament to these latest style phenomena.
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If you want to stand out and love a splash of colour in your Spring/Summer ensemble, colour blocking is the way to go. According to Paula Joye (fashion and style columnist for The Age), colour blocking is defined as ‘an outfit made up of ‘blocks’ of solid colour’1. This look is for the confident and the brave, not for the faint hearted – it’s ideal for mixing and matching separate pieces (from tops, jackets, skirts or pants) in vibrant, intense shades. The focus is to combine bold colours on the opposite ends of the colour spectrum, for example, orange and purple, or pink and green (traditionally considered to clash when teamed together).
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If you prefer a more subdued, toned down look, ‘use shades within the same family’, that is, colours closer to each other on the colour wheel for example, blue and purple, or black and grey2. However, don’t go overboard and exude some restraint when choosing your wardrobe; avoid mixing contrasting patterns including spots with stripes, or coordinating floral designs with abstract prints. To do so will result in a major fashion faux pas.
Image Source: realstylenetwork.com/fashion-and-style/2012/02/jennifer-aniston-wows-in-tom-ford-at-wanderlust-premiere/
Peplums are back with a vengeance! Peplums haven’t dominated fashion since the 1980s, when Dynasty, shoulder pads and perms were at the height of their popularity. The growing resurgence of the flouncy flirtatious ruffle around the waistline of a jacket, blouse, dress or skirt has been pushed by the world’s leading designers and is a significant trend strutting down fashion runways.
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According to Anna Byrne of the Herald Sun, the peplum design is ideal for the hourglass silhouette and with the right fit, it is also flattering for women who embrace their curves, as it helps to minimise the waistline3. To accentuate the look, team up your peplum ensemble with a belt, to cinch up the waist and define your sexy hips even further.
Ruching is a perennial style favourite amongst designers and is a look that comes in waves season after season. However, most fashion collections this year have taken the ruching trend and given it a modern twist with softer gathering of pleats and ruffles on skirts and dresses.
The beauty about the ruching technique is that it helps camouflage our muffin tops and the unwanted flab or flaws around the waistline.
Ultimately, regardless of what style trend is strutting down the catwalk, the key is to understand what works for your particular body shape, accentuate your best physical features and feel confident.
Citations on Request
Kate Hudson, Naomi Watts and Paris Hilton sizzled in their gorgeous frocks, while rocking the hottest trend of the season – going Nude!
Kate Hudson made a stunning red carpet appearance at the launch of the 69th Venice Film Festival wearing a gorgeous nude Atelier Versace gown which she teamed with Fabergé jewellery and topped off with an ultra glam Venetian Goddess updo1.
The near-strapless, embroidered lace, figure hugging number accentuated Kate’s shapely curves2. Accompanying Kate to the event was fiancé and Muse frontman, Matthew Bellamy, who rocked a classic tuxedo ensemble with black sunglasses3. The couple is in Italy to promote Kate’s new film, The Reluctant Fundamentalist4.
Australia’s own Naomi Watts also attended the premiere to support her partner, Liev Schreiber, who stars along side Kate in the movie. Naomi took centre stage posing for photographers in a similar nude Marchesa gown, albeit, subtly more demure with lace overlay panels and fishtail detail5.
‘The Reluctant Fundamentalist, based on the novel of the same name by Mohsin Hamid, tells the story of a Pakistani-born high flyer who takes a job at a Wall Street firm but turns his back on the US and returns to his native Lahore after the events of 9/11’6.
‘Kate turns brunette for her role as a photographer named Erica – the primary love interest in the film. Liev, meanwhile, takes on the role of a U.S. reporter in the movie and looked smart in a tuxedo as he posed alongside Naomi’7.
Keeping in line with the nude colour palette was Paris Hilton, who was spotted wearing a willowy beige and white two tone maxi dress8. According to the Daily Mail UK, ‘Paris was the picture of serenity as she glided from her car and through the airport. The heiress cut a stylish figure as she boarded her private jet at LAX, heading for China, covering her flowing blonde locks with a wide brimmed sun hat and donning her trademark dark sunglasses from her own range’9.
Citations on Request
There is a long distinguished list of women who have left an indelible mark on the fashion world with their unique sense of style and sophistication. From a personal perspective, I have narrowed this list down to a small, but acclaimed group of women I refer to as the Fab Five, who were the ultimate ‘It’ girls of their time, but who continue to be admired by future generations. Their signature looks have captivated fashion editors, designers, photographers and stylists alike. Let me introduce to you, in no specific order, The Fab Five:
Grace Kelly was a screen goddess who embodied a regal sophistication. Her magnetism and allure intensified exponentially through her marriage to Prince Ranier of Monaco. Starring in iconic Alfred Hitchcock classics such as Dial M for Murder, Rear Window and To Catch a Thief, Kelly further established her status as Tinseltown elite with her Oscar winning Best Actress performance in Country Girl1.
Her trademark demure look was characterised by classic and willowy silhouettes. ‘She did not flaunt. Even as a star, she would wear figure-hugging evening frocks but avoided overly revealing clothes. The waists were cinched, the skirts often full, the shoulders either bare or wispy with chiffon’2.
‘The leading costume designers of the time, including Edith Head (To Catch a Thief, Rear Window, and Dial M for Murder) and Helen Rose (High Society), played an integral role in developing the ”Grace Kelly Look” that swept across the globe in the mid-1950s’3.
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Audrey Hepburn first captured the world’s attention with her breakout performance in Roman Holiday, which scored her the Best Actress Oscar4. Subsequent roles in Sabrina, Funny Face, My Fair Lady and Breakfast at Tiffany’s further cemented her status as one of Hollywood’s finest5.
Hepburn was gamine and boyishly slender. Her distinct facial structure, including the square jaw line, high cheekbones and immense doe-like brown eyes, epitomised a waif-like glamour and elfin beauty6.
French designer Givenchy (to whom Audrey would become a muse) was influential in defining her professional and personal style7. Like Grace Kelly, Audrey’s trademark identity can be defined as understated, minimalist but elegant.
In fact, the Givenchy gown worn by Audrey’s character Holly Golightly in Breakfast at Tiffany’s has been voted the greatest outfit of all time, based on a survey conducted by Lovefilm8. In addition, the long white dress, hat and parasol costume Hepburn’s character Eliza Doolittle wore in My Fair Lady came in at number six9.
Marilyn Monroe is regarded as one of Hollywood’s ultimate femme fatales. As a star of Gentlemen Prefer Blondes, How to Marry a Millionaire, Some Like it Hot and The Seven Year Itch, Monroe oozed sexuality with a heady combination of sensual vulnerability.
Marilyn had a flirtatious smile with her pouty voluptuous lips, hypnotic eyes and a curvaceous body to match. However, behind the seductive, sultry, enigmatic façade, was an insecure individual10. Her public persona as the dumb blonde contrasted her true nature as an articulate, well read woman with a sharp wit, which only adds to her complex mystique11.
From a fashion perspective, Monroe preferred figure hugging attire that accentuated her hour-glass silhouette. ‘Her favourite costume designer was William Travilla, who created the iconic white billowing dress of The Seven Year Itch and the pink gown from Gentlemen Prefer Blondes. In a time of Peter Pan collars and poodle skirts, Marilyn’s style was considered risqué for her generation. This was exemplified by her tight dresses and suits, which flattered her shapely body and fitted like a glove’12.
Image Source: vogue.com/868959/style-legend-jacqueline-kennedy-onassiss-looks-from-the-white-house-years-and-beyond/#1
Jacqueline Kennedy-Onassis was literally the First Lady to bring elegance and sophistication to the White House. From the moment John F. Kennedy was sworn in as President of the United States, the “Jackie Look” swept across America, and subsequently the world13.
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Jackie’s statuesque physique stood out along with her streamlined coats, A-Line dresses, pill box hats, white gloves and trademark bouffant hairdo. ‘Oleg Cassini, a foremost fashion designer of the time, made the First Lady one of the best-dressed women in the world’ as the brains behind the “Jackie look”’14.
Image Source: http://www.jfklibrary.org/JFK/Media-Gallery.aspx
In Cassini’s own words, ‘I wanted to dress her cleanly, architecturally, in style. I would use the most sumptuous fabrics in the purest interpretations’15. Her charm and intelligence, only added to her iconic persona. According to Cassini, ‘despite Jackie’s shy public presence and her whispery voice, privately she had a strong personality. Jackie’s taste was very simple – she liked only the very best’16.
At the height of her popularity, Diana, Princess of Wales, was the epitome of elegance and a jewel in the crown so to speak. Her impeccable poise, sophisticated regal ensembles, combined with her ability to break down barriers between aristocracy and the common man, set her apart from other royal members with their stand-offish formality.
Diana’s style transformation began during her ‘shy Di’ phase and continually evolved through to the final years of her life when she was crowned ‘the People’s Princess’, which reflected her ever increasing self-assurance and growing independence.
As Diana’s confidence bloomed, she took greater risks and became more experimental, making striking and bold fashion choices19. Diana’s wardrobe in her latter years was more daring, while maintaining a demure gracefulness. Furthermore, the heels got higher, clothes got edgier and skirts got shorter, both streamlined and flattering, while emphasising her figure. To further express her individuality, Diana favoured effortless minimal chic, which resonated in well structured and tailored shift dresses and pencil skirts, while gowns accentuated her slender and statuesque physique.
For fifteen years, designer Catherine Walker played a significant role in developing Diana’s style identity20. Catherine understood that clothes were Diana’s mechanism to communicate the highs and lows of her life21. ‘Catherine found new ways for the Princess to win sympathy and support through her choice of clothes’22. ‘Dress by dress, look by look, phase by phase, Diana illustrated the story of her life’23.
The Fab Five were fashion forward trendsetters, who occasionally broke the rules to create their own signature look that reflected their individuality and own personality. Poise, elegance, glamour, classic and timeless beauty are terms synonymous with each of these women. Each still possess something inspirational to women of today, as the French would say – je ne sais quois. A distinct, intangible quality is the source of their enduring appeal. Their ultimate legacy is one of beauty, grace and charm. Even years after their death, we will continue to be captivated by their elusive mystique.
Citation Reference List – On Request
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